Degrees of freedom, Green Space, New York, US. An evening length work made possible by grants from New York Council on the Arts, The Mellon Fountain and MNE Emerging Choreographer series. Sound score by: Sam Crawford and Ai weiwei‘s 念

"One of the best work we've ever presented on our stage. --Paul Reynolds, Curator." This duet performance ask questions about personal identity living in Mormons' culture with dance and bilingual spoken words and is made possible by generous commission from the 12 Minutes Max Program at the Salt Lake City Library curated by Paul Reynold. Dancers: Kate Losser & Liu Chang Concept/Choreography: Huiwang Zhang Music: Michael Wall

Solo in Afterwardsness with the Bill T. Jones/Arnie Zane Company at Park Avenue Armory, NY

The Bessies New York Dance & Performance Awards Nominated Performance of Our Labyrinth at the Metropolitan Museum of Arts

Terrain 長江頭, Topaz Arts, New York, US. Made possible by grant from NYS dance force and NY council on the Arts. Sound: Christian Scott and Installation by: Todd Richmond

Presented as part of the CrossCurrent Dance Festival curated by Nai-Ni Chen Dance Company. A performance based on an oral history recording with my mother. She talks about surviving and being "loose" through prohibited social dancing during the post cultural-revolution China in the late 70 and early 80s.

Solo to spoken words narrated by Bill T. Jones in What Problem? with the Bill T. Jones/Arnie Zane Company.

Solo excerpt in Still/Here (premiered 1994) by the Bill T. Jones/Arnie Zane Company at BAM Oct. 2024

Spanish Trilogy, Swisher Theatre, Curated by Brian Palmer for the Spring Faculty Concert Series of the Department of Dance at The Jacksonville University. Sound Score by: Sam Crawford

Duet with Bill T. Jones in Deep Blue Sea workshop at Lumberyard creative residency.

Monkey (Huiwang Zhang) bursts out of a stone. "The Monkey King" by Huang Ruo and David Henry Hwang On stage at sfopera.com